Highlights

• Stuart Bentley, BSC on the cinematography of We Live in Time

  Support Systems: The director of photography worked with Panavision PVintage lenses and Panalux-pr...

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• Celebrating 70 Years of Optical Innovation

  In recognition of Panavision’s seven decades, we revisit a selection of the company’s significant,...

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• Light Iron welcomes Andrew Geary as Senior Colorist

  Renowned artist brings extensive feature and series experience, further bolstering company’s roste...

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• The Making of Filip

  Cinematographer Michał Sobociński, PSC discusses the visual language of the 1940s-set Polish featu...

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• Cinematographer Andrew Dunn, BSC on Killer Heat

  International Intrigue: Andrew Dunn, BSC shares his perspective as part of the internationally div...

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• Idan Menin on the cinematography of Lost on a Mountain in Maine

  The director of photography continues his journey of exploration and discovery with the new featur...

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• Fabien Faure on the cinematography of À l’ancienne

  Cinematographer Fabien Faure discusses his approach to capturing the French buddy comedy.

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• Director Richard Lagravenese on the look of A Family Affair

  The director worked with cinematographer Don Burgess, ASC and Light Iron supervising colorist Cori...

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• Light Iron Colorists Nominated for Creative Awards

  Ian Vertovec and Élodie Ichter have been nominated for a FilmLight Colour Award and HPA Award, res...

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• Director William Eubank: A Camera-Driven Approach

  The Land of Bad director reflects on the influences and experiences that have shaped his vision, f...

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• Chayse Irvin, ASC, CSC on Travis Scott’s “Mo City Flexologist”

  For the City: The cinematographer embraces spontaneity for his latest music-video collaboration wi...

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• A Collaboration With Panavision: Giovanni Ribisi

  Giovanni Ribisi reflects on his relationship with cinematography, both as an actor and as a direct...

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• Cinematographer Matthias Königswieser, AAC on White Bird

  Reteaming with director Marc Forster, Königswieser employed anamorphic lenses and a mix of 35mm fi...

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• Cinematographer Jeffrey Kim on the comedy feature Babes

  Timeless Warmth: Cinematographer Jeffrey Kim and colorist Keith Jenson share how they collaborated...

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• A Collaboration With Panavision: Oona Menges, BSC

  Cinematographer Oona Menges, BSC discusses making the series Ruby Speaking.

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• The Making of Beetlejuice Beetlejuice

  Cinematographer Haris Zambarloukos, BSC, GSC welcomes viewers into his collaboration with director...

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• A Collaboration With Panavision: Anna Smoroňová, ASK

  Anna Smoroňová, ASK shares advice and inspiration for beginning cinematographers.

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• Cinematographer Stephan Pehrsson, BSC on collaboration and inspiration

  Stephan Pehrsson, BSC offers a firsthand account of the close collaborations that have been centra...

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• A Collaboration With Panavision: Robbie Ryan, BSC, ISC

  The Kinds of Kindness cinematographer discusses the intense, rewarding experience of filmmaking.

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• 2024 Emmy Nominees Supported by the Panavision Group

  Panavision’s camera and optics, lighting, and post divisions supported nominees across a range of ...

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• A Collaboration With Panavision: Shelly Johnson, ASC

  The cinematographer discusses the importance of understanding how each individual shot contributes...

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• Tim Belcher joins Light Iron as new Managing Director

  Post-production veteran will lead company in ongoing innovations to benefit filmmakers throughout ...

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• Cinematographer Adam Stone on The Bikeriders

  The director of photography discusses the choice of anamorphic lenses and 35mm film for his latest...

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• Shooting and Directing an Ultra-Stylish Promo

  Directors George and James Beattie and cinematographer Jeremy Valender detail their efforts to bal...

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• A Collaboration With Panavision: Phedon Papamichael, ASC, GSC

  The filmmaker reflects on the creative dialogue between cinematography and directing.

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• Inside the Color Grade of Percy Jackson and the Olympians

  An Olympian Effort: Co-showrunner Dan Shotz and senior colorist Charles Bunnag share the process o...

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• Robert Elswit, ASC: The Cinematography of Ripley

  The cinematographer reflects on his collaboration with writer-director Steven Zaillian to bring th...

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• Creating a Mystical Landscape With LEE Filters

  Photographer Jordan Banks uses filtration to enhance a river setting’s fantastical feel.

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• Michele Channer Appointed Managing Director of Panalux

  Channer will lead the company in its continued focus on providing customers with best-in-class lig...

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• Lucie Baudinaud, AFC discusses Bis Repetita

  Crafting a Comedy of Errors: The cinematographer credits her longstanding relationship with direct...

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• Armando Salas, ASC and Ian Vertovec on Griselda

  Grit and Glamour: The cinematographer and supervising colorist detail the look development and col...

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• Capturing Cityscapes With LEE Filters

  Photographer Verity Milligan guides viewers through her process while capturing stills on the stre...

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• David Lanzenberg and Todd McMullen Dive Into Palm Royale

  Poolside Gossip: The directors of photography admire the details in the country-club comedy.

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• The Making of The Fall Guy

  Cinematographer Jonathan Sela, ASC embraces anamorphic optics for director David Leitch’s action c...

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• Lighting a Day-Interior Café With LEE Filters

  Cinematographer Simon Rowling takes viewers step-by-step through his process for lighting a daytim...

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• The Making of All of Us Strangers

  Cinematographer Jamie D. Ramsay, SASC details his approach to lighting the movie.

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• Ole Bratt Birkeland, BSC and Chris Dowling on Good Grief

  Breadth of Support: The cinematographer and gaffer reflect on their collaboration for director Dan...

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• Élodie Ichter Joins Light Iron as Senior Colorist

  Acclaimed colorist brings global expertise on high-profile projects, further elevating the company...

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• Melanie Georgieva Joins Panalux as Long Form Sales Director

  Georgieva's 25 years of industry experience further elevates company's commitment to supporting cu...

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• Shaun Seneviratne Syncs With Keith Jenson on Ben and Suzanne

  Authentic Perspectives: The writer-director and Light Iron colorist discuss collaborating on the f...

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• Adapting to Landscapes With LEE Filters

  Photographer Jordan Banks takes viewers on location as he captures an atmospheric landscape.

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• A Spirit Between Worlds

  Cinematographer Victor Seguin, AFC distinguishes a character’s dual lives in the French film La Vé...

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• Lighting a Horror Scene With LEE Filters

  Gaffer Elena Armellini demonstrates how she uses lighting gels to visually support the story.

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• For the Family

  Cinematographer David Cailley creates a hybrid aesthetic for his brother’s feature film The Animal...

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• Lighting a Night-Interior Bar Scene With LEE Filters

  Cinematographer Simon Rowling employs gels and diffusion filters to light a moody night interior.

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• Women Making History, Part 5

  Panavision’s interview series concludes with a focus on the participants’ early and ongoing source...

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• A Collaboration With Panavision: Pedro Luque, SCU

  The cinematographer reflects on his creative process and shares the most inspiring advice he’s rec...

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• Women Making History, Part 4

  Panavision’s interview series continues, focusing on highlights from the participants’ careers.

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• Gaul Porat & Christian Breslauer on Ariana Grande's "yes, and?"

  Vintage Allure: Cinematographer Gaul Porat and director Christian Breslauer craft a retro-chic loo...

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• Women Making History, Part 3

  Participants in Panavision’s interview series reflect on the importance of mentorship.

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• The Making of Ferrari

  Erik Messerschmidt, ASC brings viewers inside the action for the historical drama directed by Mich...

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• Women Making History, Part 2

  Panavision’s interview series continues with a focus on the best advice the participants have rece...

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• Women Making History, Part 1

  In honor of Women’s History Month, Panavision kicks off a five-part interview series highlighting ...

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• The Making of The New Boy

  Writer, director and cinematographer Warwick Thornton discusses the acclaimed feature.

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• LEE Filters expands LEE Direct e-commerce platform to Canada

  LEE Direct Canada serves creatives across Canada with easy access to LEE Filters products, informa...

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• Light Iron Colors Penelope in the Cloud

  The pioneering workflow is recognized as part of the MovieLabs 2030 Vision Showcase Program.

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• Cinematographer Sherri Kauk on the indie Drugstore June

  Look, Flow & Legacy: Cinematographer Sherri Kauk and director Nicholaus Goossen discuss making the...

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• The Panavision Group at BSC Expo 2024

  Take a guided tour through the Panavision, Panalux and LEE Filters booths.

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• Vital History

  Lead cinematographer Trevor Forrest reflects on the National Geographic series Genius: MLK/X.

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• The Making of Saltburn

  Linus Sandgren, FSF, ASC brings viewers inside the gothic visuals of Saltburn, written and directe...

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• Cinematographer Ricardo Diaz on joining Winning Time

  Worthy Company: Cinematographer Ricardo Diaz reflects on his ASC Award-nominated work on Winning T...

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• The Making of Killers of the Flower Moon and Barbie

  Rodrigo Prieto, ASC, AMC discusses the creative collaborations and visual inspirations behind both...

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• Panalux welcomes Sandro Leone as Long Form Sales Director

  Industry veteran brings extensive experience in motion-picture equipment rental, further strengthe...

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• Mátyás Erdély, HCA: The Iron Claw cinematography

  Family of Fighters: Cinematographer Mátyás Erdély, HCA tags in for writer-director Sean Durkin’s f...

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• Panalux announces new London headquarters

  Purpose-built, conveniently located facility will bring Panalux London’s rental inventory, service...

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• The Making of The Crown

  Adriano Goldman, ASC, BSC, ABC and gaffer Andy Lowe take viewers behind the scenes of the acclaime...

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• Stefan Duscio, ACS on the Sydney Opera House short Play it Safe

  Celebrating the Creative Spirit: Stefan Duscio, ACS reflects on Play it Safe, a salute to 50 years...

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• Philippe Le Sourd, ASC, AFC on the cinematography of Priscilla

  Texure of Emotion: Philippe Le Sourd, ASC, AFC reteams with Sofia Coppola to craft the intimate bi...

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• The Making of The Florida Project

  Alexis Zabé, ASC, AMC revisits director Sean Baker’s lauded 2017 feature.

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• Cinematographer Matthew Clark, ASC on Sitting in Bars With Cake

  Perfect Pairs: Matthew Clark, ASC crafts a visual arc from prep through post for the feature Sitti...

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• Rodrigo Prieto, ASC, AMC: The cinematography of Barbie

  Collector's Edition: Cinematographer Rodrigo Prieto, ASC, AMC unboxes director Greta Gerwig’s reco...

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• Cinematographer Alain Duplantier on The Deep Dark

  Seeing in the Dark: Cinematographer Alain Duplantier prizes practicality in bringing The Deep Dark...

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• Wistful Thinking

  Director Le Chau and cinematographer Marshall Victory discuss their New Filmmaker Program-supporte...

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• Unmistakable Charm

  Cinematographer Vadim Alsayed details the dazzling look of director Florent Gouëlou’s feature debu...

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• A Collaboration With Panavision: Autumn Durald Arkapaw, ASC

  The cinematographer speaks about the power of the community that surrounds the camera.

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• A Collaboration With Panavision: Alexis Zabé, ASC, AMC

  The cinematographer emphasizes the value of flexibility in life and work.

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• Sam Daley Nominated for HPA Award

  The Light Iron senior colorist is recognized for his work on Descendant.

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• To Be Believed

  Cinematographer Yann Maritaud discusses his latest collaboration with director Charlène Favier, on...

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• A Collaboration With Panavision: John Seale, AM, ACS, ASC

  The Australian cinematographer shares well-earned lessons from his storied career.

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• In Focus: Panavision Manufacturing

  Go behind the scenes with Panavision’s manufacturing department.

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• Launchpad Season 2 Takes Flight

  Panavision and Light Iron provide end-to-end services for the second season of Disney’s Launchpad.

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• A Collaboration With Panavision: David Procter, BSC

  The cinematographer shares insights and inspirations from his varied body of work.

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• LEE Filters launches LEE100 Deluxe Kit+

  Comprehensive kit includes adaptor rings, new ProGlass Graduated Filters.

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• Tall Tale

  Light Iron senior colorist Sam Daley helps distinguish the look of Boots Riley’s series I’m a Virg...

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• Cinematographer Jimmy Lindsey, ASC on the original series Physical

  Creative Exercise: Jimmy Lindsey, ASC discusses the final season of Physical.

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• A Collaboration With Panavision: Ben Davis, BSC

  The cinematographer reflects on his journey behind the camera and shares his perspective on the cr...

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• Kim Snyder Receives HPA Alchemist Honor

  The HPA League Honor recognizes Panavision’s president and CEO for her leadership, innovation, and...

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• Winning Depth

  Todd Banhazl, ASC details the gameplan behind Winning Time’s second season.

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• Steven Meizler & Ian Vertovec: The cinematography of White House Plumbers

  Political Colors: Cinematographer Steven Meizler and Light Iron supervising colorist Ian Vertovec ...

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• A Collaboration With Panavision: Stephen H. Burum, ASC

  The Camerimage 2022 Lifetime Achievement Award recipient shares insights from a storied career beh...

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• The Thrill of the Ride

  Cinematographer Jeffrey Waldron discusses the distinct styles he helped craft for Haunted Mansion ...

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• Cinematographer Steven Holleran on Shooting Sympathy For The Devil

  Surreal Sympathies: Steven Holleran captures good, evil and the in-between in Sympathy for the Dev...

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• A Collaboration With Panalux: Ben Smithard, BSC

  The cinematographer reflects on his career path and foundation in lighting.

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• A Collaboration With Panavision: Piotr Śliskowski, PSC

  The director of photography traces his journey behind the camera.

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• Cinematographer Dillon Schneider on the Feature The Crusades

  Personal Mission: Cinematographer Dillon Schneider imbues poetic realism into the dramatic comedy ...

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• Coming in Hot

  Cinematographer Federico Cantini recounts capturing the multi-layered origin story of the world’s ...

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• A Realm of Great Escape

  Camilo Monsalve, ADFC navigates the camera across a surrealistic road trip for the indie sci-fi co...

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• Legends in Living Color

  Light Iron colorist Katie Jordan shares her perspective on the journey of Aristotle and Dante Disc...

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• A Collaboration With Panalux: Harry Wiggins

  The renowned gaffer illuminates his approach to creating a fitting atmosphere through lighting.

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• LEE Filters introduces LEE Compact 2-foot lighting gel and diffusion rolls

  New form factor for LEE’s renowned lighting filters enables greater mobility at lower price point.

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• A Collaboration With Panavision: Óscar Faura, AEC

  The cinematographer reflects on his creative partnership with director J.A. Bayona and more.

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• Cinematographer Justin Derry's Visual Storytelling on Bruiser

  Isolated Incident: Cinematographer Justin Derry crafts images that examine the throes of manhood i...

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• The Making of The Silent Twins

  Jakub Kijowski, PSC discusses his latest collaboration with director Agnieszka Smoczynska.

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• Hyper-Natural Force

  Stephen Murphy, BSC, ISC takes viewers on a ride-along through the visual style of the police dram...

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• A Collaboration With Panalux: Julian White

  The distinguished gaffer takes viewers behind the scenes of his collaborative approach to the crea...

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• Twins Again

  Cinematographer Laura Merians Gonçalves helps deliver a carefully developed aesthetic for the mini...

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• The Making of Landscapers

  Erik Alexander Wilson, BSC reflects on the distinct looks crafted for each episode of the limited ...

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• Cinematographer Lower A. Meyer on the series Servant

  Creative Signature: Cinematographer Lowell A. Meyer discusses the visual language of the original ...

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• Pawel Pogorzelski, 1st AC Dany Racine & Brian Mills on Beau Is Afraid

  Journey of Extremes: Cinematographer Pawel Pogorzelski, 1st AC Dany Racine, and Panavision’s Brian...

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• Intense Drive

  Cinematographer Erik Henriksson gets into gear for Aston Martin’s ‘Intensity. Driven.’ advert.

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• Cinematographer Matt Toll on the short film G'day

  Say G'day: Cinematographer Matt Toll offers a personal tour through Tourism Australia’s G’day, the...

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• Crescenzo Notarile ASC, AIC on the Final Two Seasons of Star Trek Picard

  Captain's Log: Crescenzo Notarile, ASC, AIC shares this exclusive firsthand account of his voyage ...

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• The Making of Black Bird

  Cinematographer Natalie Kingston brings viewers behind the scenes of the limited series Black Bird...

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• Christopher Charles Kempinski and Geoff Wallace on Kung Fu Season 3

  Room to Move: Cinematographers Christopher Charles Kempinski and Geoff Wallace discuss how lens ch...

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• LEE Filters introduces direct-to-consumer channel for US customers

  LEE Direct US gives creatives across the United States ready access to products and speedy door-to...

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• The Making of Wakanda Forever

  Autumn Durald Arkapaw, ASC details her work on the Marvel movie Black Panther: Wakanda Forever.

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• Jake Polonsky, BSC on Edgar Wright's McDonald's commercial

  Choreography Is Key: Cinematographer Jake Polonsky, BSC hits all the right moves for director Edga...

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• Sebastian Pfaffenbichler, AAC on inspiration as a cinematographer

  Inspired Choices: Sebastian Pfaffenbichler, AAC describes the visual, familial and collaborative i...

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• Finding the Light

  Cinematographer Mauro Fiore, ASC and writer-director Zach Braff discuss their highly collaborative...

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• Writer-director Joseph Amenta on the feature Soft

  Frivolity and Power: Writer-director Joseph Amenta synced with cinematographer Liam Higgins to gui...

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• Johanna Gravelle appointed Managing Director of Panavision Canada

  Gravelle will continue the company’s commitment to supporting the filmmaking community with best-i...

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• Arnau Valls Colomer, AEC on the cinematography of The English

  A New Take on the Old West: Cinematographer Arnau Valls Colomer, AEC uncovers a new side of the Am...

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• Cinematographer Evan Prosofsky, CSC on the Short Lay Me by the Shore

  Commiting to Memory: Revisiting the fleeting memories of adolescence in the short film Lay Me by t...

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• Enter the Wu-Tang

  Director of photography Gavin Kelly digs deep to bring hip-hop history to the screen for the serie...

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• Matthias Königswieser, AAC on the cinematography of A Man Called Otto

  No Man Left Alone: Matthias Königswieser, AAC shares how he found the perfect look to suit A Man C...

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• Kramer Morgenthau, ASC on the cinematography of Creed III

  A Sweet Science: Kramer Morgenthau, ASC details the technical precision and creative expression be...

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• The Making of Empire of Light

  Gaffer John “Biggles” Higgins takes viewers behind the scenes of the Oscar-nominated feature.

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• Cinematographer Rico Moran and Director Chandler Levack on I Like Movies

  Cinematic Fanatic: Exploring the visual direction behind the coming-of-age comedy I Like Movies.

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• The Making of Elvis

  Mandy Walker, AM, ASC, ACS shares her insights into the creative collaborations behind the feature...

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• Director Jess Kohl and Cinematographer Adric Watson on A Mouthful of Petrol

  A High-Impact Short: Behind the scenes of the Camerimage award-winning documentary short A Mouthfu...

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• Chayse Irvin, ASC, CSC on the Cinematography of Blonde

  Don't Sweat the Technique: Chayse Irvin, ASC, CSC details his process for breathing new life into ...

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• Cinematographer Peter Deming, ASC on The Menu

  Dining in Style: Peter Deming, ASC recounts the ingredients that make up the visual feast of The M...

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• LEE Filters Canada Meets Evolving Needs in 2023

  LEE Filters Canada builds on its successful launch with continued support for customers’ creative ...

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• Through a Donkey’s Eyes

  Cinematographer Michał Dymek, PSC shares the visual inspirations behind director Jerzy Skolimowski...

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• Project Involve’s 2022 Cinematography Fellows

  New Visions: Project Involve’s 2022 cinematography fellows reflect on their experiences in the pro...

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• A Tailor-Made Ensemble

  Cinematographer Tom Clancey discusses collaborating with Panavision, Light Iron and his fellow cin...

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• Building on What’s Reserved

  Light Iron supervising colorist Corinne Bogdanowicz discusses her repeat collaboration with cinema...

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• Panalux Allegra LED range provides enhanced versatility, color accuracy

  Available in multiple form factors and full-color and bi-color versions, lightweight heads and inn...

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• Erik Messerschmidt, ASC & Ian Vertovec on the feature Devotion

  Given to Fly: Cinematographer Erik Messerschmidt, ASC and Light Iron supervising colorist Ian Vert...

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• Cinematographer Abraham Martínez on National Treasure: Edge of History

  A Treasured Heritage: Cinematographer Abraham Martínez explores the cultural inspirations behind t...

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• Lachlan Milne, ASC, ACS, NZCS on the feature The Inspection

  An Honest Examination: Cinematographer Lachlan Milne ASC, ACS, NZCS helps craft an observational a...

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• Intimate and Epic

  Polly Morgan, ASC, BSC reflects on the welcome creative challenges and collaborations that were es...

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• Cinematographer Alan Gwizdowski on Honk For Jesus. Save Your Soul.

  Honk for Your Format: Alan Gwizdowski ushers audiences through mixed-format megachurch mania as th...

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• Cinematographer Luc Montpellier, CSC on Women Talking

  Shots That Speak Volumes: Cinematographer Luc Montpellier, CSC helps imbue meaning into every shot...

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• True to Life

  Quyen Tran, ASC opens the book on the visual style of Netflix’s Maid.

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• Stefan Duscio, ACS on the original series Shantaram

  Panatar, Shantaram: Stefan Duscio, ACS recounts the road to realizing the streaming series Shantar...

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• Mystical Turns

  Cinematographer Mathieu Gaudet limns the mystical contours of director Lucas Delangle’s feature Ja...

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• Through the Years

  Vincent De Paula, CSC discusses his cinematography on the era-spanning Netflix series Firefly Lane...

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• Darius Khondji, ASC, AFC on the cinematography of Bardo

  Liminal Journey: Darius Khondji, ASC, AFC helps director Alejandro G. Iñárritu bring his vision fo...

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• In Conversation With Mandy Walker, AM, ASC, ACS

  The cinematographer answers Panavision’s questions about her approach to the craft.

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• The Making of Tesciowie (The In-Laws)

  Michał Englert, PSC reflects on the Polish feature and his passion for cinema.

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• Laurent Tangy, AFC on his approach to the feature Mascarade

  Complementary Vision: Cinematographer Laurent Tangy, AFC reunited with writer-director Nicolas Bed...

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• Revolution x Reinvention

  Cinematographer Oliver Ford shares his approach to lighting the spot that helped launch the Puma x...

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• Keith Jenson on the Phoenix single "Tonight" featuring Ezra Koenig

  Till It's Dawn: Light Iron colorist Keith Jenson helps bridge the distant locales showcased in the...

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• All the Reasons

  Cinematographer Ian Hurdle details the creative collaborations behind the scenes of the Paramore m...

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• Eternal Hunger

  Director of photography James Beattie helps lend visual form to the gothic longing of the Curses t...

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• Listen for the Call

  Cinematographer Andrew Droz Palermo discusses his approach to the dynamic, star-studded commercial...

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• Love on the Margins

  Cinematographer Arseni Khachaturan offers a peek into the creative process behind director Luca Gu...

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• Cinematographer Simon Reay on the series Lovely Little Farm

  Farming the Imagination: Cinematographer Simon Reay details the classic approach to the original s...

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• A Collaboration With Panavision: Anastas Michos, ASC, GSC

  The cinematographer reflects on his creative journey.

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• The Making of The School for Good and Evil

  John Schwartzman, ASC welcomes viewers onto the set of the Netflix feature.

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• Incredible Journey

  Director of photography Manuel Dacosse speaks to his personal inspirations and the visual style of...

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• The Making of Sonata

  Cinematographer Tomasz Augustynek, PSC discusses his approach to the visual style of the Polish fe...

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• A Relationship to Remember

  Jeff Cronenweth, ASC and Light Iron supervising colorist Ian Vertovec reflect on the FilmLight Col...

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• Un Mystery Crew Diferente

  Colorist Katie Jordan shines a light on the rich palette that complements the mysterious and macab...

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• A Love Like This

  Light Iron senior colorist Ethan Schwartz offers a brief on the benefits of his early collaboratio...

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• Cinematographer Marshall Adams, ASC: The Cinematography of Better Call Saul

  Call and Response: Cinematographer Marshall Adams, ASC shares how the camera created space for the...

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• Cinematographer Andrew Wheeler on God's Country

  Guiding Principles: Cinematographer Andrew Wheeler offers his perspective on the feature God’s Cou...

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• Cinematographer Zach Kuperstein and senior colorist Sam Daley on Barbarian

  A Look Beyond Horror: Cinematographer Zach Kuperstein and Light Iron senior colorist Sam Daley det...

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• Cinematographer Jessica Lee Gagné on the aesthetic of Severance

  In Lieu of Lumon: Cinematographer Jessica Lee Gagné jogs viewers’ memory with C Series lenses and ...

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• Cinematography of The Bear with DP Andrew Wehde

  Controlled Chaos in the Kitchen: Cinematographer Andrew Wehde lays out the ingredients that helped...

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• Donald A. Morgan, ASC on the sitcom The Conners

  A New Arena: Donald A. Morgan, ASC credits career experiences, paintings and peers as inspiration ...

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• Mystery Down Under

  Cinematographer Tyson Perkins shares the inspirations that influenced his approach to shooting the...

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• Authenticity and Optimism

  Light Iron colorist Katie Jordan details the collaboration that led to a new look for The Chi’s fi...

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• Cinematographer Mathieu Bertholet on L’Été éternité

  Desire for Cinema: Cinematographer Mathieu Bertholet details the visual approach for the French-la...

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• Multi-Cam Matchmaking

  How I Met Your Father cinematographer Gary Baum, ASC recounts finding the right balance for the Hu...

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• Director Blake Farber on the Kenyan commercial "Go Ahead"

  90-Second Portrait: Director Blake Farber retraces the journey to take the Kenyan commercial “Go A...

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• Larry Fong, ASC behind the scenes of Chip 'n Dale: Rescue Rangers

  The Wheres and Whys and Whos: Cinematographer Larry Fong, ASC shares clues from behind the scenes ...

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• Cinematographer Steven V. Silver, ASC on the sitcom B Positive

  Life, Love and Laughter: Steven V. Silver, ASC shares the methodology that helped lead to his Emmy...

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• Cinematographer Autumn Durald Arkapaw, ASC on the series Loki

  Villainy Never Looked So Good: Autumn Durald Arkapaw, ASC discusses her Emmy-nominated work on the...

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• Funny Business

  Emmy-nominated cinematographer Adam Bricker reflects on two seasons of the half-hour comedy series...

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• In Conversation: Winning Time

  Cinematographers Todd Banhazl and Mihai Malaimare Jr. go one-on-one to recount their experiences s...

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• The Old, the New and the Gritty

  Light Iron colorists Ian Vertovec and Ethan Schwartz detail the big-screen look of the FX series T...

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• Polly Morgan, ASC, BSC on the feature Where the Crawdads Sing

  The Natural World: Polly Morgan, ASC, BSC discusses her collaboration with director Olivia Newman ...

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• Cinematographer Natalie Kingston on Black Bird

  Deal With a Devil: Cinematographer Natalie Kingston guides viewers into the tense, dark heart of t...

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• Mandy Walker, AM, ASC, ACS: The cinematography of Elvis

  Tribute to the King: Mandy Walker, AM, ASC, ACS reteams with director Baz Luhrmann to trace the pe...

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• Light Iron solidifies management team with 2 key hires

  Andy Kaplan joins as Senior Vice President of Operations, Peter Lin as Director of Finance for inn...

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• Different Worlds

  Tommy Maddox-Upshaw, ASC embraces the opportunity to craft a layered visual language for Showtime’...

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• Championship Caliber

  Cinematographers Todd Banhazl and Mihai Malaimare Jr. share their game plan for crafting the vinta...

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• The Making of Yesterday & Everybody's Talking About Jamie

  Christopher Ross, BSC takes viewers inside the creative process of both features.

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• A Conversation With Producer Daniel Lupi

  The line producer of the upcoming Killers of the Flower Moon discusses past projects and his longt...

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• A Collaboration With Panavision: Markus Förderer, ASC, BVK

  The cinematographer reflects on his early work behind the camera and shares his passion for techni...

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• Outpost RC enables remote near-set dailies for a trio of productions

  The series Delilah, Reservation Dogs and American Horror Story employed a remote dailies workflow ...

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• Extended Family

  Cinematographer Yasu Tanida reflects on his time behind the camera for all six seasons of This Is ...

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• The Making of Red Notice

  Markus Förderer, ASC, BVK takes viewers behind the scenes of the Netflix feature.

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• The Making of The Last Duel & House of Gucci

  Dariusz Wolski, ASC discusses his ongoing collaboration with director Ridley Scott and outlines th...

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• The Legacy Continues

  Light Iron supervising colorist Scott Klein and additional colorist Jesús Borrego offer a sneak pe...

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• The Making of 12 Mighty Orphans

  Cinematographer David McFarland discusses his approach to the period feature's visual language.

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• Light Iron names Ian Kerner as VP of Business Development

  Kerner brings extensive post-production sales experience, further strengthens Light Iron’s evoluti...

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• LEE Filters welcomes industry veteran Nick Lampke to its US team

  Lampke joins as operations manager to continue providing world class service and support to LEE Fi...

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• Panavision companies showcase product portfolio at BSC Expo 2022

  Panavision, Panalux, LEE Filters and Direct Digital will share Stand 123 at Battersea Evolution in...

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• Light Iron welcomes Charles Bunnag to colorist team

  Renowned colorist further strengthens bicoastal artist roster.

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• A Collaboration With Panavision: Alice Brooks, ASC

  The cinematographer retraces the path that led to her career behind the camera.

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• Colorful Combination of Characters

  Senior colorist Corinne Bogdanowicz shares her inspirations behind the vibrant modernization of Ch...

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• The Making of tick, tick... BOOM!

  Alice Brooks, ASC brings viewers into her creative collaboration with director Lin-Manuel Miranda ...

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• The Making of The Power of the Dog

  Ari Wegner, ACS discusses her creative approach to the Netflix feature directed by Jane Campion.

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• Light Iron expands colorist roster, leadership team

  Colorist Arianna Shining Star joins industry-leading color team, Liam Ford welcomed as SVP of Engi...

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• Cinematographer Ari Wegner, ACS on The Power of the Dog

  Raw Nature: Ari Wegner, ACS recounts her collaboration with director Jane Campion for the Netflix ...

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• Make Taste, Not Waste

  Cinematographer Andrew Wheeler shares his game plan for Hellmann’s latest Super Bowl spot.

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• Light Iron promotes Ethan Schwartz to Senior Colorist

  Recognition coincides with additional moves and promotions for Light Iron’s colorist team, includi...

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• Personal Histories

  Alice Brooks, ASC recounts the journey that led her to the feature tick, tick… BOOM!

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• Cinematographer Mihai Mălaimare Jr. on The Harder They Fall

  A Different Type of Western: Cinematographer Mihai Mălaimare Jr. employs a mix of optics with DXL2...

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• Commercial Spotlight: Cinematographer Bron Moyi

  The cinematographer offers a behind-the-scenes look at shooting the three-part project The Trees R...

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• All in the Family

  Light Iron supervising colorist Ian Vertovec discusses his collaboration with BMF cinematographer ...

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• Light Iron Strengthens Leadership Team With Key Hires and Promotions

  Post-production services provider announces the promotion of Katie Fellion and Megan Marquis and w...

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• Total World Domination

  Senior colorist Ethan Schwartz helps divine the supernatural look of What We Do in the Shadows Sea...

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• Panalux unveil Panalux Power i-Series all-electric power solutions

  Company also expands Panalux Sonara LED range with new 3:2 form factor.

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• Glitz, Glamor and Secrets

  Colorist Jesus Borrego discusses the creative approach to the color grade of Sacrifice.

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• LEE Filters launch LEE Elements range of high-performance circular filters

  Innovative new filter range includes LEE’s renowned Stopper, polariser and ND technologies, allowi...

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• Twice the Terror

  Supervising colorist Jeremy Sawyer details the distinct looks of American Horror Story’s 10th seas...

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• Family Ties

  Light Iron Senior Colorist Sam Daley offers insights into the grading process for the HBO series S...

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• Trevor Michael Brown and director Uga Carlini on the feature Angeliena

  Local Style: Cinematographer Trevor Michael Brown and director Uga Carlini detail their naturalist...

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• Different Times

  Kramer Morgenthau, ASC takes Panavision behind the scenes of the period features Respect and The M...

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• Panavision Sydney Services 'Shang-Chi'

  Large-format Sphero 65 optics contribute to the look of the Marvel blockbuster.

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• Bearing Witness

  Cinematographer James Laxton, ASC discusses working with Panavision optics to craft the visual lan...

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• LEE Filters expands LEE100 system with new filter holder for ultra-wide NIKKOR zoom

  Specially developed LEE100 holder enables filter coverage for ultra-wide zoom lens.

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• Filmmaker Basics

  Presented in collaboration with Made In Her Image, this series explores fundamental concepts that ...

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• 5 Tips for Lighting Sci-Fi

  Director Malakai and cinematographer Aiden Chapparone share techniques for creating visually rich,...

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• LEE Filters Expands its Global Presence with Opening of LEE Filters Canada

  Colin Sangster appointed Country Manager for Canada to establish dedicated sales and support acros...

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• Panavision Supports Disney Launchpad

  Panavision provides camera and lens packages for the six short films of Season 1.

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• 5 Lighting Techniques to Elevate Your Shot

  Cinematographer Alissa Rooney offers tips for lighting scenes in dynamic ways and always in suppor...

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• Celebrating Community

  Cinematographer Alice Brooks discusses using DXL2 and G Series anamorphics to craft a big look for...

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• Cinematographer Diana Olifirova on We Are Lady Parts

  Rockin' in the Free World: Cinematographer Diana Olifirova offers insights into her work on the co...

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• Calculated Moves

  Cinematographer Jack Donnelly discusses windowing DXL2 for 6K capture and pairing the camera with ...

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• Cinematographer Zac Nicholson, BSC on The Pursuit of Love

  Historical Romance: Zac Nicholson, BSC offers a look behind the scenes at the lighting and visual ...

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• High Concept

  Cinematographer Gareth Place describes collaborating with director Ryan Kruger to evoke the look o...

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• Hidden Truths

  Cinematographer Trevor Forrest discusses combining the Millennium DXL camera with Primo 70 optics ...

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• 5 Ways One Camera Move Can Be Used to Different Effect

  Cinematographer Andrea Gonzalez Mereles explores how a moving camera can provoke different feeling...

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• Adam Etherington, BSC on A Discovery of Witches Season 2

  Back in Time: Adam Etherington, BSC partners with Panavision and Panalux to visualize a centuries-...

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• Streamlined

  This series of one-sheets offers technical insights focused on maximizing workflow efficiencies an...

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• Jeffrey A. Reyes joins LEE Filters as US General Manager

  Reyes brings extensive experience in sales and business development, connections to creative commu...

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• 5 Camera Moves and Their Effect on Your Audience

  Cinematographer Mia Cioffi Henry discusses a range of techniques for moving the camera. Presented ...

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• Royal Trimmings

  Cinematographer Joe “Jody” Williams and director Craig Brewer partner with Panavision and Light Ir...

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• Light Iron Welcomes Senior Colorist Sam Daley to New York Roster

  Veteran colorist bolsters post-production services provider’s footprint in New York market, global...

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• Commercial Spotlight: Alexis Zabé, ASC, AMC

  The cinematographer discusses three recent spots shot in large format with DXL2.

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• 5 Ways Focal Length Affects Your Subject

  Get your lens techniques on point with this primer on how the choice of focal length affects the i...

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• The Main Event

  Tami Reiker, ASC and Light Iron supervising colorist Ian Vertovec detail their collaboration on di...

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• Made In Her Image and Panavision Introduce The Catalyst Cohort

  Applications are being accepted through March 16, 2021, for the inaugural edition of this educatio...

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• Far From Home

  Writer-director Ekwa Msangi and cinematographer Bruce Francis Cole detail the visual language of F...

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• The Big Picture

  Director Robert Connolly and cinematographer Stefan Duscio discuss crafting the Australian box-off...

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• Sundance 2021

  The artists behind a number of this year’s Sundance Film Festival titles offer a look behind the s...

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• A Question of Strength

  Cinematographer Justin Derry embraces 35mm film and Ultra Speed optics for the short film Bruiser.

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• Mark Furssedonn appointed Managing Director of Panalux

  Panavision Group veteran takes on increased leadership role with lighting rental division, reaffir...

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• Commercial Spotlight: Cinematographer Simona Susnea

  Cinematographer Simona Susnea traces her career behind the camera back to an early interest in jou...

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• Cinematographer Hillary Spera on Run and The Craft: Legacy

  The Witching Hours: Cinematographer Hillary Spera takes Panavision behind the scenes of the featur...

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• Zoë Iltsopoulos Borys Appointed Vice President and General Manager of Panavision Chicago

  Industry veteran will continue Panavision’s commitment to Chicago’s filmmaking community while exp...

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• Holiday Adventure

  Don Burgess, ASC and Light Iron’s Corinne Bogdanowicz reteam for The Christmas Chronicles: Part Tw...

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• Light Iron Expands Innovative Solutions for Remote Collaboration

  Post-production services provider continues to enable creativity without compromise, announcing co...

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• Julia Swain & Teodora Totoiu on the documentary Lady Cameraman

  Beacons of Hope: Director Julia Swain, cinematographer Teodora Totoiu and colorist Corinne Bogdano...

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• Commercial Spotlight: Cinematographer Kai Saul

  Panavision recently caught up with Saul to discuss the Motorola “Razr” smartphone commercial, whic...

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• Cinematographer Don Burgess, ASC on The Witches

  A Mouse's Tale: Don Burgess, ASC reteams with director Robert Zemeckis to adapt The Witches, Roald...

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• Happy Hauntings

  Cinematographer Seamus Tierney captures the tricks and treats of Hubie Halloween in large format w...

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• Filmmaker Focus: Em Weinstein

  Em Weinstein discusses the making of their Outfest Grand Jury Prize-winning short, In France Miche...

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• Cinematographer Stephan Pehrsson, BSC on the series Utopia

  The Color of Paradise: Stephan Pehrsson, BSC shoots on DXL2 and partners with Light Iron to realiz...

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• Personal Destiny

  Mandy Walker, ASC, ACS employs Panavision optics for Mulan, an intimate portrait set against an ep...

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• DXL2 Receives “Filmed In Imax” Certification

  Panavision’s proprietary large-format camera is now an approved capture system for IMAX originatio...

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• Back to Work

  Cinematographers Deepa Keshvala, James Rhodes, Robbie Ryan, BSC, ISC and Nanu Segal share their on...

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• Moral History

  The filmmakers behind Yes, God, Yes recount their journey to bring the feature to fruition.

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• Anastas Michos, ASC, GSC on The Kissing Booth 2 and The Empty Man

  Emotional Vibes: With The Kissing Booth 2 and The Empty Man, Anastas Michos, ASC, GSC demonstrates...

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• Through Her Lens

  Made In Her Image and Panavision partner for a virtual roundtable spotlighting women filmmakers of...

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• Cinematographer Quyen Tran & colorist Ethan Schwartz on Palm Springs

  Infinite Jest: Cinematographer Quyen Tran employs T Series optics and reteams with colorist Ethan ...

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• Battle Stations

  Shelly Johnson, ASC shoots large-format 8K with DXL and Sphero 65 lenses to captures the close-qua...

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• Cinematographer Oren Soffer on the short film See You Soon

  Depth of Emotion: Cinematographer Oren Soffer crafts a nuanced portrait of an intimate weekend for...

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• Cinematographer Haris Zambarloukos, BSC, GSC on Artemis Fowl

  Magic and Mystery: Haris Zambarloukos, BSC, GSC helps to ground Artemis Fowl’s high-flying action ...

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• Taking Action With Made In Her Image

  In collaboration with Made In Her Image, Panavision, Light Iron and LEE Filters announce a range o...

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• Cinematographer Jas Shelton on Homecoming's second season

  Playing Tricks With the Mind: Cinematographer Jas Shelton achieves continuity with a twist using D...

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• Patrick Cady, ASC & supervising colorist Scott Klein on Bosch Season 6

  Detective Story: Patrick Cady, ASC details the procedures he and his collaborators followed to ta...

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• Sure Shots

  Cinematographer Autumn Durald Arkapaw orchestrates six cameras for the live-performance documentar...

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• Jeff Cronenweth, ASC: The cinematography of Tales From the Loop

  Golden-House Sci-Fi: Jeff Cronenweth, ASC reteams with Light Iron supervising colorist Ian Vertove...

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• Cinematographer John Conroy, ISC on Penny Dreadful: City of Angels

  Fact-Finding in the Sunshine: John Conroy, ISC helps transport Showtime’s horror franchise Penny D...

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• DP Catherine Goldschmidt on the made-for-mobile series Dummy

  Smart Solutions for Quibi's Dummy: Panavision and Light Iron help DP Catherine Goldschmidt pioneer...

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• Uncanny Abilities

  Peter Deming, ASC helps to craft a fresh take on the X-Men franchise with The New Mutants

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• Cinematographer Jacques Jouffret and director Dave Wilson on Bloodshot

  A Fight to Remember: Cinematographer Jacques Jouffret and director Dave Wilson carve out an aggres...

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• Framing the Future

  Panavision and the ASC Vision Committee partnered for a day of education, inspiration, and support...

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• Cinematographer Natasha Braier, ASC, ADF on Honey Boy

  Family Matters: Natasha Braier, ASC, ADF draws on Panavision’s lens inventory to lend a texture of...

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• Panalux unveils new lighting, power solutions complementing Panavision brands’ product portfolio at BSC Expo 2020

  Panalux Sonara 4:4 LED soft light debuts alongside new h40 hybrid generator from Panalux Power.

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• Dan Mindel, ASC, BSC, SASC: The cinematography of Star Wars Episode IX

  The Circle Is Complete: Honoring the visual tradition of the first eight films, Dan Mindel, ASC, B...

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• Panalux Launches New LED Soft Light, Hybrid Generator at BSC Expo 2020

  Innovative new lighting and power solutions bolster lighting technicians’ creative control and tak...

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• Panavision Supports the Artistry of Independent Filmmakers at Sundance 2020

  Leading filmmakers turn to Panavision and Light Iron for production and post-production services a...

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• The Camera Behind Just Mercy

  Cinematographer Brett Pawlak and Light Iron Supervising Colorist Ian Vertovec discuss the use of P...

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• Finding the Truth in the Look: Just Mercy

  Light Iron Supervising Colorist Ian Vertovec and cinematographer Brett Pawlak detail what went int...

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• Relationships Within Just Mercy

  Just Mercy cinematographer Brett Pawlak and Light Iron Supervising Colorist Ian Vertovec explore t...

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• The Making of Zana

  Filmmakers Antoneta and Sevdije Kastrati discuss the path that brought them to their 2019 feature ...

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• Ford v Ferrari Delivers Speed and Danger With Classic Approach

  Phedon Papamichael, ASC, GSC drives innovation with expanded C Series glass.

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• Cinematographer Rachel Morrison, ASC on the feature Seberg

  Visualizing Two Pespectives: Rachel Morrison, ASC shoots 35mm with C Series anamorphic glass to co...

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• Filmmaker Focus: Monika Lenczewska, PSC

  The cinematographer's imagery has earned accolades on the international film festival circuit and ...

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• Cinematographer Tim Orr on the series Dickinson

  Success Is Counted Sweetest: Cinematographer Tim Orr on choosing to shoot with the Panavision Mill...

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• Tales From the Shoot: Ford v Ferrari

  Phedon Papamichael, ASC, GSC recounts stories to Panavision’s Dan Sasaki about the production of F...

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• In Conversation: Ford v Ferrari

  Panavision’s Dan Sasaki joins Phedon Papamichael, ASC, GSC in conversation about Papamichael’s car...

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• Experience Panavision’s End-to-End Ecosystem at 2019 Camerimage

  PanaVillage exhibit space demonstrates integrated tools and technology from Panavision, LEE Filter...

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• Gavin Kelly Gives AHS: 1984 a Retro Horror Look

  FX's American Horror Story series goes retro for Season 9, back to the heyday of low-budget horror...

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• Fred Murphy, ASC Finds the Right Color and Contrast for CBS’ Evil

  Exploring the line between religion and science form the foundation for the CBS mystery series Evi...

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• Colorist Corinne Bogdanowicz Sees Through Transparent

  Tune in to the final installment of Amazon’s Transparent.

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• Polly Morgan Launches Lucy in the Sky

  The cinematographer takes Panavision behind the scenes of the feature, which she captured with DXL...

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• James Chressanthis, ASC, GSC Embeds Subtle Iconography Into Greenleaf

  With the fourth season of Greenleaf, the enthralling saga set in an African American megachurch, J...

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• Filmmaker Focus: Todd Banhazl

  The cinematographer speaks with Panavision about his professional journey behind the camera.

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• Seamus Tierney Gets Brittany Runs a Marathon Into Visual Shape

  The cinematographer shares his experiences collaborating with Panavision and Light Iron for direct...

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• A Creative Refuge For Bernadette

  Writer-director Richard Linklater and cinematographer Shane Kelly worked with Panavision and Light...

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• Robert Richardson, ASC: The cinematography of Once Upon a Time... in Hollywood

  A Retro Look With a Twist: Robert Richardson, ASC employed Panavision anamorphic optics for writer...

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• Light Iron Enlists Renowned Industry Colorist Scott Klein

  Post facility also expands footprint to accommodate growing business.

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• Autumn Durald Arkapaw Chooses Panavision Anamorphics to Frame The Sun Is Also a Star

  The cinematographer details her approach to director Ry Russo-Young's YA drama.

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• George Richmond, BSC Crafts Period Looks With Anamorphic Optics for Rocketman

  The cinematographer details the visual style of director Dexter Fletcher's biopic about Elton John...

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• Panavision’s Camera-to-Finish Imaging Ecosystem Featured at Cine Gear 2019

  Company launches LINK HDR, a revolutionary new system that empowers creatives to view content in H...

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• Award Contenders Enlist Light Iron for Post Services

  Popular series utilize facilities across North America.

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• Colorist Jeremy Sawyer Heads to Light Iron

  Sawyer returns to Light Iron as senior colorist.

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• Tim Ives, ASC Captures the Story of Bob Fosse and Gwen Verdon

  For the FX miniseries Fosse/Verdon, the cinematographer worked with Panavision Primo 70 optics.

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• Lighting Spotlight: Gaffer Tom Gates

  Gaffer Tom Gates has been a mainstay on HBO's mega-hit Game of Thrones since Season 1. We chatted ...

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• The Chi: Bringing Life On The Street Closer To Home

  Cinematographer Abraham Martinez explores Chicago's South Side for the Showtime series' second sea...

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• Christian Sprenger Turns To Panavision To Create Super Spots

  The cinematographer pulls back the curtain on his recent commercial work.

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• Panavision Showcases Complete Imaging Ecosystem at BSC Expo 2019

  Panavision, Panalux and LEE Filters to demonstrate latest innovations that display the breadth and...

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• Cinematographer Matthew Clark on the feature Late Night

  Creating the Look of Late Night: Cinematographer Matthew Clark teams with Panavision and Light Iro...

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• Sundance Filmmakers Turn to Panavision for Production and Post Services

  Over 25 buzzworthy titles in 2019 Sundance lineup turned to Panavision and Light Iron for camera, ...

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• Lighting Spotlight: Lighting Designer Freddie Bonfanti

  On the heels of London Fashion Week S/S 2020 we spoke with Freddie Bonfanti about what it takes to...

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• Lighting Spotlight: Gaffer Andy Cole

  Gaffer Andy Cole talks about his experience working on the Oscar-nominated feature The Favourite a...

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• Exceptional Women in Production & Post 2018

  StudioDaily is proud to announce its first roster of Exceptional Women in Production and Post.

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• Panavision Highlights the Continuing Expansion of the Millennium DXL2 Ecosystem at Cine Gear Expo

  Expo attendees will interact with new 8K workflow, breakthrough filter technology and four new lar...

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• New Panavision Millennium DXL2 Camera Debuts At BSC Expo

  The large-format camera is the heart of Panavision's complete imaging ecosystem.

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• Dan Hammond Named Vice President and General Manager of Panavision Hollywood

  Responsibilities will include overseeing daily operations, leveraging facility's service and suppo...

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• Panavision Brings the Millennium DXL Camera and Large-Format Lenses to Camerimage 2017

  Celebrating the art and craft of cinematography, Panavision will present a master class with John ...

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• Panavision Names Johanna Gravelle Canada's National Sales Manager

  Company announces Jeffrey Flowers to retire at the end of 2017.

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• Lighting Spotlight: Gaffer Scott Napier

  Scottish gaffer Scott Napier talks about his experience working on the set of hit series Outlander...

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• The Five Pillars of Anamorphic

  Panavision’s Dan Sasaki explores the key attributes that distinguish anamorphic imagery.

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• The Aesthetics of Anamorphic in Film and Digital

  Panavision’s Dan Sasaki details the anamorphic optics chosen — and the modifications made — for a ...

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• The Five Pillars of Anamorphic – Organic Focus Roll-Off

  Natural focus cues in anamorphic imagery help viewers understand depth and positioning in space.

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• The Five Pillars of Anamorphic – Bokeh

  The way an image looks when it’s out of focus can be just as important as when it’s in focus.

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• The Five Pillars of Anamorphic – Flare

  Flares are synonymous with anamorphic. Panavision’s Dan Sasaki explains why.

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• The Five Pillars of Anamorphic – Disproportionate Breathing

  Dan Sasaki of Panavision discusses the distinct breathing characteristics that result from the dif...

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• The Five Pillars of Anamorphic – Magnification and Perspective

  Panavision’s Dan Sasaki explores the qualities that lend anamorphic capture a more natural perspec...

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• The Artistry of Anamorphic

  An introduction to the Five Pillars of Anamorphic, presented by Panavision’s Dan Sasaki.

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• Lighting Spotlight: Gaffer Andrew Taylor

  Gaffer Andrew “Tala” Taylor recounts the peculiarities of filming The Bastard Executioner in Wales...

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• Lighting Spotlight: Cinematographer Kit Fraser

  From his days as a student through his career as a cinematographer, Kit Fraser has received unpara...

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